book cover

The Bone Dragon book cover

Publication day! Thank you to all the wonderful reviewers…

Today, I am officially a published author. I was expecting it might have sunk in by now, but a year on I’m still astonished from day to day to realise (a) I have an amazing agent, (b) I have a wonderful publisher, and (c) I’m being published. Am published as of today. It’s really quite nice that it won’t sink in because the realisation that it’s not just the latest in a string of daydreams is a lovely surprise each and every day.

And there have been all sorts of lovely surprises, not least that I’ll be speaking at the Hay Festival later this month along with Sally Gardner and Nick Lake. You can find more details about our ‘Happily Ever After?’ event here if you think you might be interested in coming along.

And then there’s the thing I’ve been longing for and dreading… finding out what people think of the book. Thank you so much to everyone who’s bought the book, read it, ordered it, included it in posts and cover reveals, and generally started getting the buzz going.

Luna’s Little Library was my first ever reader to comment. I literally jumped around for a little while being over the moon that my first reader liked the book. She’s also written an absolutely lovely review. Literally the sort of review I’ve dreamed about.

The first review to come out though was actually Annabelle Hammond’s detailed and thoughtful look at the book. It’s been amazing to hear that people are reading my book, but it’s the most wonderful compliment when people take the time not only to review but to review at length.

Katie from Storytellers, Inc.’s wonderful, insightful review picks up on so many of the things that I hoped readers would find in the book. Was so touched by the discussion of how I’ve handled the darker themes in the book: Katie review captures exactly what I was trying to do.

Laura from Sisterspooky’s review made my day by tackling many of the mistaken assumptions readers might make about the book if they only glanced at the blurb. It’s such a great thing for a writer to see reviews that address market forces so that readers can get a true sense of what a book is about.

Finally, INIS magazine have my first trade press review! So exciting to have one out before the official publication date. Now to cross fingers that there are more to come.

I know that everyone gets bad reviews. It’s part of the territory. But it’s so lovely to start with nice ones. Let the bad ones wait as long as possible!

It’s a strange and wonderful thing to read reviews of your work and especially to see the time and care people have put into thinking and writing about your book. I’ve been astonished with how many things these reviews have picked up on that really mattered to me as a writer. I wasn’t sure how much of what I see as the heart of the story would translate to readers. It’s a powerful thing to be told that it has translated: that readers are seeing what I see in the story… or at least partially. Seeing readers’ alternative interpretations of their work drives some writers mad, but mostly I’m curious. The book may be my creation but any reading of it belongs to that reader. I love that about the writing-reading process: there’s a point at which it’s collaboratively creatively, albeit it at a distance.

Thank you so much to the wonderful reviewers who have made my publication week so amazing. I can’t tell you how grateful I am for the care with which you’ve treated my work.

 

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The Bone Dragon front cover

A thing of beauty

A post with pictures of my first copy of The Bone Dragon now up on my book-specific blog: http://www.thebonedragon.com.

From here on, I’ll be trying to keep the content of the two blogs separate rather than cross-posting, but there’s the odd thing I just have to share on both.

Today is BOOK DAY for me!

The Bone Dragon book cover

Cover Reveal: The Bone Dragon

Turns out there’s been a change of plans (either that or I slightly mixed up 1 March and 1 April – it happens) and the cover reveal is going to be… today. (YAY! [does happy dance] April seemed SOOOOOOO far away.)

So here it is. What do you think? [bounces in anticipation]

 

The Bone Dragon book cover

 

We’re also up on the Faber & Faber site! [Teehee!]

Pre-order at Waterstones, WHSmith, Amazon and most local bookstores… Now with our beautiful cover to enjoy!

Watch out for the new blurb coming soon…

The Bone Dragon draft cover number 2

Cover design process

Although it’ll be another few weeks before the official cover reveal for The Bone Dragon, I am now allowed to talk about our interim cover draft and the design process in more depth.

You may (or may not) remember that the first draft cover looked like this:

TBD draft cover

The book starts with a human rib-bone in a pot. It seemed a good place to start with the cover too. This initial cover draft released in August 2012.

What I love: I love the bottle – much more striking than what I saw in my head: the little plastic pot my very own rib sits in (among my socks in the drawer under my bed). I also love that the design isn’t genre or age-group specific: it doesn’t scream YA READERS ONLY! Also, it points to the fact that the book is a psychological thriller as opposed to fantasy. Not that I have any problem with fantasy (I may well end up writing some later on in my career) but it would be misleading to class The Bone Dragon that way.

Cons: I’m not terribly keen on was having the carved rib shown on the cover. I’d prefer for readers to be free to imagine this for themselves, with no visual prompting. Plus you could never carve a human rib like this. For one, they’re too narrow and for another they’re hollowish so it wouldn’t work, no matter how tiny the overall dragon. 

My feedback to the designers: If the cover is to show the rib-in-a-pot that sets the whole story in motion, it needs to look more like a human rib, rather than an ox thigh-bone.

Then, in October, I received the new cover, which was supposed to be the final cover. Only it wasn’t. I can only share part of it (and I can’t explain what I mean by this being only ‘part’ because that’s a secret too). Anyway, here it is:

The Bone Dragon draft cover number 2

What I love: I love the hazy, impressionistic feel: I really like that the image isn’t too clear and that you can’t tell what Evie looks like. The feel is right for the book too: the slightly out-of-proportion arms and the way she’s holding them out, almost like wings. And the colours are fantastic. Even as a little thumbnail, the title stands out and the colours are eerie, though there’s slightly too much yellow and red for me: in my mind, the book is black and blue and purple. But I think the image is striking both in thumbnail size and in larger scale. Again, I love that it’s not YA specific and doesn’t speak strongly to any particular genre, though it hints more at literary fiction than the previous cover, which is fine. The book sits astride a whole bunch of genre boundaries without being one thing or another, though literary fiction and/or psychological thriller are the best fit with the book. What I love most is how this image combines with the second part of the design – the secret bit I still can’t show you. It’s the two together that make this magical.

Cons: Only tiny quibblettes. Not that it really matters what I see in my head, but the nightdress (?) isn’t something Evie would wear and her hair is longer than this. Also, I like the idea of readers being able to picture Evie for themselves without too many visual clues. Plus, while I really like the typeface, perhaps the crayon effect is too young, not just for Evie but for the intended readership (16+).

My feedback to the designers: Basically, what I said on Twitter.

what I said on Twitter

As for the official cover…

questionmark

The new design is perfect: absolutely gorgeous, sumptuous, stunning. I can’t wait to share it with you all… and to explain more about the missing part of cover #2 that explains why I adored that design, even though it’s not a patch on the official cover. I’m not positive that the ‘secret part of cover #2’ will turn up as part of the final cover (I still haven’t seen the finished version of that aspect of the design yet), but I’m hoping so.

So, what do you think  of our interim cover?

eyes above a cherry blossom branch

Photoshoot: a short guide on how to look evil

So, somewhere in among the edits, Rebecca emails me to ask for a photo.

I am one of those people who are just not photogenic. Or at least I hope that’s what the problem is: if I really look like I do in most photos I have MUCH bigger problems than not being photogenic.

Anyway, suffice it to say I don’t like being photographed much. Oh, I don’t mind a photo with a group of friends or at a family party or a big event – I don’t make a big deal out of it – but generally I don’t let people take photos of just me, by myself. So when Rebecca asked for something, even a photo taken by a friend on a reasonable camera, I didn’t have many options.

My favourite photos of myself are (a) the one with a cherry blossom branch in front of my face and my eyes peeking over the top (thank you, Lizzie!), (b) the one of me barely visible behind my exceptionally long (and beautiful) cat, (c) the one taken from a long, long way away of me in a meadow in the hills above Prague, and (d) a very low res one taken at a ball hosted by a big Cambridge tech company where I’m wearing a lovely strapless ballgown, only the photo is from the shoulders up so it looks like I might be wearing… less. And… well, that’s about it for photos of me that I like. I have one taken with a group of friends (so not perfect anyway) at the Clare Hall (Cambridge college) Summer Ball, and in this one you can see dress straps… but my eyes are mostly shut.

Mostly I look recently dead in photos. So it didn’t help that, when Rebecca asked for a publicity photo, I was recently out of the hospital (after having had the latest rib out) and completely morphinated… Just the look I wanted to go for.

Anyway, after much trawling around for local photographers, I finally found the fabulous Louisa Walsh at ArtbyLAW. Louisa was absolutely brilliant (and extremely kind) and, thanks to tea and music from Tom, and a fantastic job on the make-up from Jade, I made it through the shoot… and even had a few pictures where the morphination didn’t show too much.

For the most part, I focused on looking like I was thinking evil thoughts. This, I suspected, would stop me from looking vacant… and it would also fit the book. And just me in general.

For instance, when asked what objects I’d brought to give a sense of my personality in the photos, I produced my gorgeous carved slate notebook with the celtic knot on one cover and the dragon on the other…

‘Would you like a flower, too?’ Louisa asked.

‘No, thanks,’ I replied, smiling sunnily. ‘I brought a knife instead.’

So in several of the longshots there I am with my notebook… and my knife (it’s a very pretty knife, as you can see: one of my favourites).

I did think about bringing a rib in a pot, but I suspected that might be too morbid… especially given the evil glint in the eyes that decided my favourite headshot.

So how did I work on looking evil? Well, mostly I just thought about the book. There, there be sneakiness… and a Dragon (sort of)… And a little bit of evil for good measure.

headshot

I’m on Amazon! The Bone Dragon now available to pre-order

The Bone Dragon is now available to pre-order on AmazonUK and WHSmith, though it should soon be available via a wide variety of retailers.

Do note that the cover design won’t be added for another month, give or take, as we’re currently consulting on the draft design. If you’re interested in commenting, the draft cover is available at http://thebonedragon.wordpress.com/2012/08/20/draft-cover-design-comments-welcome/ .

draft cover design for The Bone Dragon

Draft cover design: comments welcome!

The draft cover design for The Bone Dragon is now in!

The final version will be a bit different, but I’d love to hear what you think and hopefully pass some comments along to Faber to help us decide on the official cover.

 

Dandelion

Surprise me: starting the book cover design process

Two weeks ago, I went to Faber & Faber’s beautiful Bloomsburyoffices to meet the team, who are all absolutely lovely. It’s very odd when reality is so much better than your most fanciful daydreams.

I now understand a little bit about rights and exciting things like the fact that cover design (at Faber, at least) starts about a year before the book comes out. I can’t wait to see the options for my book (my book!).

Everyone at Faber is so nice they even asked me if I had any particular views about what should go on the cover. If you can’t remember any Faber covers, have a look. They’re gorgeous. 

http://www.faber.co.uk/work/girl-savage/9780571254316/

http://www.faber.co.uk/work/windvale-sprites/9780571240715/

http://www.faber.co.uk/work/things-we-did-for-love/9780571278176/

http://www.faber.co.uk/work/gillespie-and-i/9780571238309/

So, although of course I’ve got ideas about what could go on the cover, I’m keeping them to myself. I’m excited about the opportunity to be surprised by what the fabulous artists at Faber come up with.

Having worked in the theatre for so long, I’m pretty laid back about the whole thing, but I know a lot of people aren’t. In the theatre, you get used to the fact that lots of different people want to make their mark on the show. That’s what theatre is about: each creative is an expert in a different area and needs the scope to do what he or she does best. Now, obviously, it’s vital to have someone with a level head to say ‘no’ when an expert is totally off base but a lot of the time it’s just like the writing process.

Each creative goes away and does his or her thing (just like writing a first draft). Then people get together and pool their ideas, trying to create a cohesive whole (like re-writing the first draft with some feedback to make the whole thing hang together). Next, everyone polishes what they’ve got (advanced re-writing with input from your agent). Finally, you get a preview audience in and some experts (submitting to the publisher and working on their feedback).

You can’t work effectively in the theatre if you can’t let go a little. Despite the famous line from The Producers – ‘I am the author. I outrank you!’ – this approach doesn’t work in practice. Sometimes writers need to accept that they’re not the ultimate experts in every aspect of their show… or their book. There are times when other people really do know better.

I’m actively excited to think that I’m not controlling every aspect of the production of the book. I want to see what artists come up with, just from reading the book. There will be time to have my say later on as I’m sure the design process is just like the writing one: there will be initial choices to be made and then lots of scope for refinement. I want to be involved but I also don’t want to interfere too much: I’m not the expert in cover design. I want to fall in love with my cover – and I’m sure I will – but I know my best chance of doing that is not to get in the way but to be a helpful participant in a group process.

I just can’t wait to get started! Roll on May!