Just for the record, you might like to know it’s now late August.
By now, there have actually been two ultra-fast stages of copy-editing (see Everyone should have a project editor). The first set of copy-edits came in on August 9th. I returned my comments in batches August 15th-17th. Further comments arrived from Eleanor on the 20th, returned same day.
At this stage, it works for me to have (self-set) tight deadlines. For me, there’s a real danger of agonising over tiny things to the point where I just can’t see the pros and cons effectively. Which is not to say that I don’t take a lot of care over the tiniest of tiny details… but there’s a point at which I’ve taken care through 10 drafts and now am sailing into obsession territory. And a tight deadline means there’s a point at which I’ve got to just make a decision. And that can be a Very Good Thing.
So, August 21st off the manuscript goes to be page-set and turned into a manuscript that actually looks like a book (why do I keep typing ‘good’ for ‘book’?).
… 13th of August the electronic copy of the proofs comes into my in-box. Hardcopy picked up on the Monday when I go into Faber to have a strategy session on how to promote the book.
As always, I am fed chocolate and everyone is lovely to me. If you’re looking for a publisher, I can gush over Faber for you. 🙂
This time we’re in a lovely airy room at the top of Bloomsbury House and there are glass cases with different editions of TS Eliot’s Old Possum’s Book of Practical Cats. I still call my cat a possum, though I’m not entirely sure that this was what Eliot intended with the title.
Anyway, the meeting is also a chance to meet Leah, the new Children’s Publisher at Faber, who is lovely (a running theme at Faber)… and also very kind about the fact that I’m in a frenzy of excitement. I suppose it’s good not to be getting in the least bit complacent, but it would be nice if some of the nervous energy of I’M GETTING PUBLISHED! would wear off soon.
It’s a productive meeting, with Rebecca, Leah and Laura, Faber’s publicity wiz, who organised my first ever book-related press clipping, all helping me to get my head around the next stages which will include…
(1) proofing the proofs
(2) printing a proof version to go out for early reviews (terror alert!)
(3) publicity things…
We also talk about the back cover blurb, online branding… and Twitter. We talk a lot about Twitter.
Twitter is a problem for me. First, because I’m a novelist I think in 300 pages about most things. Second, while I hope I’m not boring, I find it hard to believe that anyone but me cares whether I’m having tea. I don’t think my closest friends care… Well, unless they’re actually in the room with me (in which case the tea is important because (a) I am fueled by tea, (b) when I’m about to spontaneously combust with excitement (a fairly common occurrance actually), tea stops me from doing so because I know I’m clumsy so I stay still to drink the tea on the basis that then I will only spill some of it, and (c) when you might as well label me Beware the Beastie, tea restores me to being semi-human, which is as good as it gets).
Anyway, I find it hard to say anything short enough to fit into a tweet that I think will be interesting to other people. I suppose this will get easier as publication approaches and there are more snippets of ‘news’. But a friend (thank you Fiona!) has had a brilliant idea, that I think was mentioned in the Faber meeting too, so I think I may have a way forwards…
Does anyone else have the same problem with Twitter? How do you get around it?
(PS: Just in case you’re wondering… I’m nearly caught up with my posts about the process of taking TBD from unagented manuscript to publication. Plus I’m working on a new book. So this, my author blog, and the TBD blog will soon start to diverge again. Thanks for bearing with me!)